Ivy Series
2025 | lithography and mixed media | variable dimensions
These prints resulted from a large study of the variable edition in which I explored how to create a plethora of images using the same lithographic matrix. For this study, I experimented with mixed media approaches, using lithography in combination with collage, toned cyanotype, chine colle, relief printing, paper cutting, inkjet image transfers, and more.
The Last One Standing | lithography collaged onto toned cyanotype | 15 x 22 in.
The Last one Standing | lithography and embroidery on toned cyanotype | 18 x 22 in.
The Last one Standing | lithography on toned cyanotype | 15 x 22 in.
Untitled | lithography, inkjet image transfer, and toned cyanotype on paper | 7 x 11 in.
The Last One Standing | lithography on mulberry collaged under (cut) toned cyanotype | 18 x 24 in.
Natural Balance | stone lithography (blend roll) | 15 x 22 in.
Buried Alive | lithography and relief on toned cyanotype | dimension unknown
Nothing Gold Can Stay | lithography, relief, and chine colle on paper | 15 x 22 in.
Nothing Gold Can Stay | lithography, relief, and chine colle on paper | 15 x 22 in.
Untitled Studies | lithography on rag paper (top) and toned cyanotype rag paper (bottom) | variable dimensions
Untitled | lithography on paper brushed with natural dyes | variable dimensions